This chilling winter, Nefarious Industries will warmly release the latest EP from solo act Opul, the solo venture by Matt Lupo of East of The Wall on January 13th digitally to the frigid, shaking hands of the public. Being a main figure in the changing identity of what was The Postman Syndrome in the early 2000s, to what is now East of The Wall, guitarist and vocalist Matt Lupo has again stepped o...[Read More]
Dreadlords containing members of Panther Modern and T.O.M.B., hailing from the general Philadelphia PA area, take the serpent off the bible, tossing it into the holy water starting the sermon with a background southern sizzle. The blues were meant to be bad, psychedelic’s were meant to be mood/perception altering, black metal was born from inherent rebellion as folk was a social statement o...[Read More]
Michigan noise punk experimenters, Child Bite, bring forth the unique cathartic and artistically obnoxious banging’s of their Strange Waste EP on Housecore Records. Its music for losers, so they say of the nine-track recording, recorded and self-produced at Russian Recording in Indianapolis, Indiana. Strange Waste is the follow-up to their Morbid Hits EP, a collection of Anal Cunt covers with Phil...[Read More]
Somewhere between Italy and Norway in late 2006 Hour Of Penance’s Enrico Schettino started Hideous Divinty www.facebook.com/hideousdivinity/timeline with the band immediately making an impression with their 2007 demo Sinful Star Necrolatry. They signed a three album deal with Unique Leader Records after the Inferno Festival in Oslo, Norway. In late July 2011 they recorded Obeisance Rising ...[Read More]
The music you hear paints vast, rapid-fire visuals of epic battles under swirling angry skies, swords and sorcery that span the ages as mystical militant queens cast visages upon army’s marching to conquer and industrial noises of production coming from the darkest, most hidden corners of a darkened land. These are the sounds created by Barcelona-based neoclassical darkwave outfit, Der Blaue Reite...[Read More]
Greensboro noise-grinders Torch Runner have unleashed their new LP Endless Nothing via Southern Lord. Clocking in at about 22 minutes because a minute more or less might cause cranial damage or disappointment to the educated ear; the disk is an unrelenting perpetual fist smash salute to the chaos of early punk and sounds a guitar should be scared to make. The follow up to 2012’s Committed t...[Read More]
From the cold dank waters and surroundings of Poland, Zombieland starts the loud, brain stomping disk with the sounds of the almost dead, breathing their last troubled breaths gasping for air as life support gives out and flat-line. Drums then smash you in the face out of nowhere leaving scarring with bass and guitar that’s being bound and quartered. Pierscien’s voice of the dead opens, gro...[Read More]
Yes, it sounds like a new Judas Priest song but Portland, Oregon’s, Drunk Dad, is about to unload their debut LP Ripper Killer. Five Pack opens like a guitar choking on beer, gasping for air going down the wrong tube. Singer/guitarist Dane Herrin screams out the lungs of the mic filling the track with a dirty, grungy punk noise rush, shaking the week old mountain of beer cans in the...[Read More]
Few names in rock and metal illicit more opinion, praise and passion than Tarja Turunen. The three-octave soprano takes her stage encompassing voice to the romantic classical arena belting out classics from Bach, Strauss and Mozart, along with rock fueled anthems from Led Zeppelin, Queen and her own catalogue. Veteran rock drummer Mike Terrana blasts out his own voice with loud, thunderous crescen...[Read More]
The voice of Dark Passion Play/Imaginaerum era Nightwish has returned with her first solo album on Armoury Records in conjunction with Ear Music, Shine. Those who fell in love with the pop, bubble gum perfect, soothing caress of Anette Olzon’s vocal charm can rest assured its present throughout the 10 new tracks. A recording that showcases her unique range carrying elements of hope, fragil...[Read More]
What would a jam session circa mid-late 60’s, early 70’s sound like if Tony Iommi, Geezer Butler, The Doors, Soundgarden, Grand Funk Railroad and Alice In Chains were all jamming in the same room with Glenn Danzig, Layne Staley and Chris Cornell trading vocals? Pagan Fruit takes the darkness from Sabbath, dark depressive tones of Alice, the trippy psychedelics of The Doors blending each int...[Read More]
New York City progressive death metal collective and recent Relapse signees, Pyrrhon (pronounced peer-on), emerge from the urban decay with a new full-length. Death metal growls, vocals with mixtures of Entombed and Ministry, basement black metal screeches and ingredients, heavily influenced Gorguts sound and breakdowns. This could be their Colored Sands. The Oracle of Nassau starts out w...[Read More]