Leaves‘ Eyes are the loud, proud, symphonic, growling scribes of Nordic history and the tellers of ancient sagas. Whether swinging swords on the shore, pillaging a village or playing in the forest they bring the middle ages to modern life, seamlessly intertwining music and narrative. They’ve sung about mermaids, the Vinland’s, strong and passionate women, and the first king of Norway as they’ve mo...[Read More]
For seven records the members of Nordic symphonic historians Leaves’ Eyes have captured the Viking war cry and spirit in lyric, song, video, and on stage recreation. They’ve consulted the ancient saga’s, perfecting their production for pin point presentation, playing hypnotic symphonic folk metal with history to study and riffs to head bang to. What started in 2003 has continued to 2018 with a new...[Read More]
Rome, Italy’s Wait Hell In Pain tackles the series issue of physical abuse against women on their debut Wrong Desire. The record’s fictional main character May endures physical and psychological abuse, eventually reaching her boiling point. Knowing the past can’t be changed and the ramifications of her emerging dark thought patterns, she contemplates escape by any means necessary. Turning h...[Read More]
Formed in 2009 with debut record Wandering Through Sorrow under their belts, Italian symphonic new blood Serenade changed direction, sound and band members straying from an early gothic sound to a heavier, progressive thrash feel. Sophomore release Onirica has the hallmarks of the symphonic greats, bombastic sounds, grandiose guitars and the searing, stirring soprano delivery of vocalist Claudia L...[Read More]
High-spirited, high-flying female fronted symphonic metal from Tuscan by way of Montreal, QC comes from the four members of Insatia. Like the flowing astral angel in the cosmos on the cover, Zoë Federoff, ascends listeners up with heavenly operatic vocals, melding a sound intertwining Siobhán Fahey (Shakepeares Sister) and Anette Olzon (Nightwish). The music plays with a ballerinas grace as her v...[Read More]
Sunday August 14, four bands played the Courtyard Lounge in Englewood. Dayton’s Letters to the Blind, Cincinnati’s Warcurse, Iris Divine from VA, and MindMaze from Allentown, PA. Letters started it off with the black metal tinged beginning of “Suffocate.” Ringing in the cyber power metal, prog influences with some thrash flavor. They pulled from the mighty book of Priest mixing Maiden and NWOBHM s...[Read More]
Two records into their career, Kyiv, Ukraine’s, Scarleth have written, sculpted and recorded music that speaks beyond a band releasing their sophomore effort. Through numerous member changes they’ve crafted a sound blending Euro symphonic influence with thrash and modern melodious rock. Scarleth is Victor Morozov (guitar), Yana Kovalskaya (keyboards), new vocalist Ekaterina Kapshuk, Igor Chumak (b...[Read More]
Thursday, Feb. 25th was a night of Euro symphonic powerhouse metal for the LC Pavilion’s newly dubbed moniker Express Live. The Endless Forms Most Beautiful came to Columbus and delivered with fellow female fronted Delain and power metal veterans Sonata Arctica. The Kitee, Finland natives may have proven third times the charm as former After Forever, ReVamp vocalist Floor Jansen took the helm as t...[Read More]
London, England’s, symphonic black-death metal haunting hybrid She Must Burn might look and sound like a witches inquisition spell gone three times worse, conjuring darker forces than planned. She Must Burn say’s hello from jolly old England with its unrelenting and unapologetic self-titled EP via Artery Recordings, bringing the UK back to the uber-laced dark ages, in their own speaker-blee...[Read More]